Just remember that your animations have to be at least a minute long, so at 10 frames per second for 60 seconds that would be 600 photos! The more photos you take and the more subtle your movements are the smoother your animation will look.
You should be able to use OSnap to create your animation, depending on how many photos your animation will consist of. When saving your final animation to your phone here are the steps you will need to go through:
1 click on the EXPORT ICON, the rectangle with the arrow 2 select CREATE VIDEO 3 click RENDER VIDEO 4 then select SHARE VIDEO, then choose the option CAMERA ROLL Your animation should be saved as a video in your camera roll or where photos are stored on your phone. You should be able to email or share your video from your camera roll.
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"Each person has something he can do easily and can't imagine why everybody else has so much trouble doing it." - Kurt Vonnegut Today we will be using our hinged paper creatures to be create short gifs. Gifs are ultimately just a small collection of images that are played in a loop to show the illusion of motion. When creating your gif, consider how fast you want your character to move, what action do you want your character to do, & whether you want your two characters to interact with each other or each be on their own. Also try to keep you camera in the same spot, while taking your photos to create a consistency between each image. Later we will also be working with lights to create a consistent look as well. The lighting in the images below is a good example of what NOT to do. Your gif will need to have a minimum of 15 photos in it & be a minimum of 15 seconds long. Completed gifs will be uploaded to Canvas before the end of class for a quick preview of the possibilities of animation.
With animation and film a lot can be said with very little. Consider how different situations, emotions, relationships, opinions, etc. can be communicated through the use of shape, color, & movement. American Desert (For Chuck Jones) by Mungo Thomson, 2002 ' Thomson wishes to focus attention on “the role of the desert in the cultural imagination as a sort of pure and indomitable wasteland beyond civilization.” Jones’s imagery captures this sense of myth-making in panoramas that are not modeled on an actual place. Rather, the images are a romantic composite of landscapes in Arizona, California, and Utah.' Consider the setting of your animation as well as the characters & situation. |
ARtist, teacher, EXPLORERJust a girl exploring the world, looking at cool art, & thinking up lesson plans Archives
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